a favourite tree

I was asked. “What’s your favourite tree?” It was an exercise to celebrate National Tree Week.  

Wirral Street Tree 09452. a crab apple in Frankby Road, Meols.

This a tree to get you thinking:

this is a crab-apple, growing on an apple rootstock, possibly a wilding rootstock. It was planted to stop people taking their vehicles from one cul-de-sac to another. It doesn’t look like a street tree is meant to – it’s not a well-behaved lollipop of a tree. The fruits are bright red crab apples, but the fruits on the suckers growing from the base of the trunk and the rootstock are smallish but tasty green apples. It’s normally the other way round – cultivated apples growing on a rootstock derived from crab-apples, and you rarely see the fruit growing from any rootstock. Some apple-trees grow “Burr Knots” or “Pitchers” – side shoots from the base of the trunk or from the roots. It’s still quite rare, and you could take the pitchers to grow as separate trees. 

But even then, this tree is odd.

The tree has started to lean, even though the branches on one side seem to be growing taller and thicker to try to compensate, bringing more weight to that side in an effort to balance better. It’s so easy to talk in terms that the tree is like a person, thinking and planning what to do. But the tree is stressed – and that’s perhaps shown by the growth of side-shoots.  It’s had a lot of fruit this year on both parts of the tree – often a sign that the tree is having a last go to pass on seeds when it’s under threat.

In France, Spain or Italy, it’s normal to prop up a leaning tree like this with a big forked branch, and perhaps each year nudge it a bit more until it’s better balanced and less likely to topple. In UK I’ve rarely seen props used – it seems more likely that the tree would be seen as being at risk of leaning too far and toppling in a wind, so it would be removed, especially if the roots creak when moved – perhaps a weakness that can contribute to its falling?

This tree is a challenge. Most of the trees in the neighbouring gardens have been cut back or have died. The road used to be full of birdsong as blackbirds, thrushes and Winter visitors used the bigger trees to perch and sing out their lust and their defence of the patch of territory that they claimed. The bluetits, goldfinches and other small birds still abound in this tree and in the recovering trees around them, but the bigger birds are slow to find new sounding posts in the street. So I really don’t want this tree to go and it’s a challenge to find a solution to prop it up, and to preserve the odd arrangement of a crabapple, apparently grafted on to the roots of a fruiting Orchard apple tree.

I also have a very personal reason for wanting to keep this tree. I was currently writing an article about old ways of propagating apple trees, including the use of epicormic shoot growth – pitchers or side shoots – to plant on as new trees. 

I came out of my house and, for the first time, I had a proper look at this tree. It got me thinking. 

Right under my nose – relevant to what I was attempting to write about, but taking me in a different direction.

It was a good reminder that many less spectacular trees have value and are a source of inspiration. 

It was a reminder to look at all trees, appreciate them, even when they are not beautiful or even tidy. 

It was a reminder of the wonder of how trees grow and adjust to their environment. 

It was a reminder that there are other tasks for tree wardens and champions, besides planting new trees, perhaps propping up infirm things like this tree? and being old and infirm myself, I can identify with it and sympathise.

It has me asking ecologists and tree experts if I’d read the tree’s situation correctly and what were their conclusions?

So it’s worth preserving and, for all its challenges, it deserves consideration as a favourite tree.

I had a nagging thought that the tree had actually come to me for attention…

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About pdellwand

I am enjoying my liberation! • this resulted from an early retirement from work in local government, after extensive experience in Youth, Community & Adult Education. An escape to be celebrated. • I've also finished work at Ofsted, the crown service responsible for inspecting the quality of education and services for children and their families. It used to be more conscious of its independence from the civil service, from politics, politicians and political positioning, from parties, powers and principalities, press, prejudice, pressures and striving for popularity and proud of acting without fear and favour and on the basis of evidence and performance. The following of these principles is currently less clear and although I miss my inspection work and former colleagues, I do not miss the pressures and current trends. Still lots of projects, contracts and commissions, providing management, consultancy, evaluations and inspections in education, heritage, arts & culture; giving individuals & organisations challenges: critical friendship; mentoring; leadership; management; quality improvement; adaptation to change; inclusive or ethical policies / practices. • Contracts have included to direct or produce art installations, unique participative music events, to design and plan traditional orchards and to teach and research about the interrelationship of well-being and ecology. • Clients have included Help the Aged, with commissions for me to create projects for elders to make music in inspirational settings & to evaluate a pilot project for elders creating a radio station as a voice for their generations. For National Museums, Liverpool, the Musicians' Gallery, which brought new music, spoken word and dance into treasured spaces to invite a new way of appreciating them. From New Art Exchange, a commission to create a performance art installation during the Liverpool Biennial,. This took the ideas of volunteers, old and young: their hard work and beauty of movement and song into a successful, intriguing and soulful performance. • After many years of fighting for and sustaining arts work with young people and their communities, then for creative skills for adult learners while I was head of a centre of excellence - now MY turn: my free-lance work has helped me find my own voice and put my hands to work directly and creatively in music, environment & 3D art. Opportunities for making things directly, working with talented and good-hearted friends, sharing the delight in broadcasts, publications, presentations and performances – That is liberation.
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1 Response to a favourite tree

  1. MM Hawley's avatar MM Hawley says:

    Lovely text, Dave. You got me thinking about my grandfather Ralph, and I found this:

    Click to access Hawley_Ralph.pdf

    It’s long-ish; not appealing if your eyes are healing. Perhaps for another day.

    Martha

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